Classic Review: Marvel Masterworks- Avengers Vol. 14
Quick Summary
Pros: The action here is exciting and is fun to watch all the way through. The character development is great and makes the series better. History lessons expand the Marvel Universe as a whole and give specific characters some great backstory. The artwork is positive and is an asset to the volume.
Cons: Some actions from the villains feel almost random.
Overall: This volume feels like a shot of espresso for a series that is just now beginning to wake back up again. It centers around a longer story arc that generates equal levels of excitement and interest as it progresses from start to finish. It also enhances the series as a whole by providing significantly positive character development for a few heroes and some great history for the entire Marvel Universe. This is solid entry for the Avengers series that will appeal to newer fans and appeal even more to longtime readers.
Story
After a couple volumes of middling quality, Marvel Masterworks: Avengers Vol. 14, by Steve Englehart, puts the series back on the right track. The stories here detail high stakes adventures against foes who pose a serious threat to this group of heroes. However, these stories also advance these heroes on an individual basis, providing backstory and answering questions that have been present for a while. It even ends up going on to provide an interesting expansion to the Marvel universe as a whole. The entire trip is interesting and worthwhile the whole way through, especially for fans who have been following along for a while. Though there are still some places where the narrative stumbles, as a whole, this is a very successful volume.
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About half of Avengers Vol. 14 is essentially a large-scale clash between the Avengers and Kang the Conqueror. This fight has immediate stakes, as Kang is attempting to both kidnap an Avenger and further launch his attempt to rule all of reality. It also takes the Avengers across a variety of different environments and has them attacked in a variety of different ways; in one portion of the book, Kang attacks them by bringing back a series of dead characters while, in another portion, he attacks them individually with versions of himself from different time periods. The only downside here is seemingly random actions from the villains, such as future-Kang’s switch from villain to hero or Dormammu’s rather uncalled for appearance. Even still, the end result is a war that remains diverse, exciting, and full of suspense all the way through.
Alongside the action in this volume, a lot of great character development also takes place. The Swordsman proves his valor as an Avenger and completely moves past his villainous history by sacrificing himself for the greater good. The Scarlett Witch continues to go from a weak and underutilized character to a genuine powerhouse on the team. In addition, Scarlett Witch and the Vision’s relationship goes from a contentious flirtation to an actual marriage; a worthwhile change that moves the two past the petty jealousy that hampered the previous volume. All of the improvements here are appreciated and help the series develop.
The other half of Avengers Vol. 14 primarily focuses on revealing some interesting new details and stories from the history of the Marvel universe. Englehart expands upon the history of the Kree and Skrull civilizations through a captivating flashback from the far-away past. It explains that the Kree have been warlike for nearly their entire existence and that the Skrull have not always been the villains they now appear to be. In a similar way, Englehart also expands upon Kang the Conqueror by showcasing multiple versions of his character’s evolution. All of this is interesting to read and is an excellent addition to the overall mythos being constructed here.
However, the best history lessons are reserved for the volume’s main characters. Readers learn about Vision’s impressive pedigree, something that explains mysterious actions from his past and could have the potential to create interesting plotlines in the future. In addition, the near-complete uncertainty surrounding Mantis is finally cleared up. She receives an interesting and complete backstory and then concludes her “Celestial Madonna” story arc by marrying an alien being, something that is rather strange at first but thematically suits her arc overall.
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Art
Like the story, the artwork in Avengers Vol. 14 is a definite improvement over the previous volume. Sal Buscema, with Joe Staton, provides most of these positive visuals for the book. The artwork here ends up being detailed and energetic, allowing characters to look good whether they are standing around talking or beating up villains. It is also structured well, flowing in a way that makes sense and assists with the storytelling. There are a few chapters, mostly done by other artists, where this level of quality dips a bit and the consistency of the visuals take a hit. However, in the end, the positives still outweigh the negatives and make for a pleasant reading experience.
Continuity
Marvel Masterworks: Avengers Vol. 14 continues the story from Marvel Masterworks: Avengers Vol. 13 (Review).
The story here continues in Marvel Masterworks: Avengers Vol. 15 (Review).
This volume also makes references to other comic books, detailed below:
- Kang the Conqueror’s past is brought up in this volume. This past includes
- His initial appearance as Pharaoh Rama-Tut in Fantastic Four #19, collected in Marvel Masterworks: Fantastic Four Vol. 2 (Review).
- His initial appearance as Kang the Conqueror was in Avengers #8, collected in Marvel Masterworks: Avengers Vol. 1 (Review).
- He fought the Avengers again in Avengers #23-24, collected in Marvel Masterworks: Avengers Vol. 3 (Review).
- He fought them again in Avengers #69-71, collected in Marvel Masterworks: Avengers Vol. 8 (Review).
- Iron Man made recent redesigns to his armor in Iron Man #68, collected in Marvel Masterworks: Iron Man Vol. 10.
- Hawkeye quit the Avengers in Avengers #109, collected in Marvel Masterworks: Avengers Vol. 11 (Review).
- In Giant-Sized Avengers #2, Hawkeye mentions having a nostalgic night earlier. This is a reference to the events of Captain America #179, collected in Marvel Masterworks: Captain America Vol. 9.
- Hawkeye’s connection to the Swordsman is explained in Avengers #19, collected in Marvel Masterworks: Avengers Vol. 2 (Review).
- The power-absorbing properties of Vision’s jewel were revealed in Avengers #62, collected in Marvel Masterworks: Avengers Vol. 7 (Review).
- Hawkeye’s recent interactions with Captain America and Captain America’s decision to change his approach to heroics took place in Captain America #179, collected in Marvel Masterworks: Captain America Vol. 9.
- Radioactive Man previously fought Thor in Journey into Mystery #93, collected in Marvel Masterworks: Thor Vol. 1, and fought the Avengers in Avengers #54-55, collected in Marvel Masterworks: Avengers Vol. 6 (Review).
- The Titanium Man and the Crimson Dynamo previously fought Iron Man in Iron Man #22, collected in Marvel Masterworks: Iron Man Vol. 6.
- Iron Man mentions the role of the Viet Cong in his origins from Tales of Suspense #39, collected in Marvel Masterworks: Iron Man Vol. 1.
- It is likely that, during Avengers #130, Captain Marvel is busy with the events of Captain Marvel #37, collected in Marvel Masterworks: Captain Marvel Vol. 4.
- Nomad mentions that he recently finished a big battle in the Pacific. This took place in Captain America #181, collected in Marvel Masterworks: Captain America Vol. 9.
- Immortus was previously seen in Avengers #10, collected in Marvel Masterworks: Avengers Vol. 1 (Review). However, this appearance was wiped from time in Avengers #11, collected in Marvel Masterworks: Avengers Vol. 2 (Review).
- A number of dead villains and heroes are mentioned in Avengers #131. These include:
- The Frankenstein Monster, previously seen in Frankenstein #13 and collected in Monster of Frankenstein Vol. 1.
- Wonder Man, previously seen in Avengers #9 and collected in Marvel Masterworks: Avengers Vol. 1 (Review)
- The original Human Torch, previously seen in Fantastic Four Annual #4 and collected in Marvel Masterworks: The Fantastic Four Vol. 6 (Review).
- Midnight, previously seen in Masters of Kung Fu #16.
- The Ghost, previously seen in Silver Surfer #8-9, collected in Marvel Masterworks: The Silver Surfer Vol. 2.
- Baron Zemo, previously seen in Marvel Masterworks: Avengers Vol. 2 (Review).
- Many elements from the original Human Torch’s history are referenced throughout this volume. These include
- His first appearance in Marvel Comics #1, collected in Marvel Masterworks: Golden Age Marvel Comics Vol. 1.
- Toro began helping the Human Torch in Human Torch Comics #2, collected in Marvel Masterworks: Golden Age Human Torch Vol. 1.
- Toro’s last time seeing the Human Torch. This occurred in a flashback from Sub-Mariner #14, collected in Marvel Masterworks: The Sub-Mariner Vol. 4. This issue also shows what happened to Toro in the present.
- His connection to the Mad Thinker and the Fantastic Four. This was shown in Fantastic Four Annual #4, collected in Marvel Masterworks: The Fantastic Four Vol. 6 (Review).
- The Vision’s introduction to comics occurred across Avengers #57-58, collected in Marvel Masterworks: Avengers Vol. 6 (Review).
- The Blue City on the Moon was discovered in Fantastic Four #13, collected in Marvel Masterworks: Fantastic Four Vol. 2 (Review).
- The conflict between the Kree and Skrull was explained and expanded upon in Avengers: Kree/Skrull War (Review), collected in Marvel Masterworks: Avengers Vol. 10 (Review).
- Moondragon visited the Avengers back in Captain Marvel #31, collected in Marvel Masterworks: Captain Marvel Vol. 3 (Review).
- Ultron originally faced off against the Avengers in Avengers #54-55. He then appeared in Avengers #57-58 alongside Vision. All of these issues are collected in Marvel Masterworks: Avengers Vol. 6 (Review).
- The Mad Thinker’s hypno-lenses were explained back in Fantastic Four #68, collected in Marvel Masterworks: The Fantastic Four Vol. 7 (Review).
- The Silver Surfer’s conflict with Quasimodo is shown in Fantastic Four Annual #5, collected in Marvel Masterworks: The Fantastic Four Vol. 7 (Review).
- The conflict with Thanos is detailed across a variety of different comics issues. These include:
- Iron Man #54 and Captain Marvel #31-33, collected in Marvel Masterworks: Captain Marvel Vol. 3 (Review).
- Daredevil #105-108, collected in Marvel Masterworks: Daredevil Vol. 10.
- Prior to Giant-Size Avengers #4, a conflict occurred between Clea and Dormammu in Doctor Strange #7, collected in Marvel Masterworks: Doctor Strange Vol. 5.
- Thor mentions that Jane Foster failed in achieving god status back in Thor #136, collected in Marvel Masterworks: Thor Vol. 5. He also mentions his true connection to the gods, which is explained in Thor #159, collected in Marvel Masterworks: Thor Vol. 7.
- Dormammu’s deal with Doctor Strange is mentioned. This deal was created in Strange Tales #127, collected in Marvel Masterworks: Doctor Strange Vol. 1.
- The Space Phantom was previously seen in Avengers #2, collected in Marvel Masterworks: Avengers Vol. 1 (Review), and in Avengers #106-108, collected in Marvel Masterworks: Avengers Vol. 11 (Review).